Tere hi khwaab mein kho gaye – In this drizzle, my eyes long for you. Again from Shailendra (who else?)Īisi rimjhim mein, o sajan, pyaase pyaase mere nayan But along with the music its also raining soft and splendid lyrics too. The other instruments like jal tarang, flute, tabla and violin complement Lata’s voice. The sitar magic in the song was created by Jayram Acharya, one of the versatile sitarists India has had. With the basic minimum orchestra in the backdrop, the sitar making its way straight into your heart. The rainfall, the leaves, the hibiscus flower and Sadhana trying to collect water from the roof in her cupped hands. The euphemism of rain makes the song different from all other monsoon songs.
O sajna barkha bahar full#
The Bengali lyrics were written by Salil da himself and it was a hit.īimal Roy chose this tune for his film Parakh (1960) and picturised it beautifully, doing full justice to the enthralling song and the mesmeric Sadhana. The song was first recorded in Bengali language in non-film genre. Like the radiant flowing river and fragrant as the first rainfall of the season. The divinity of his tunes and the dignity of her voice. The perfection of his tunes and the purity of her voice. The song represents the true essence of the Lata – Salil da combo. Her demure eyes, lashes shyly lowered, a shy yet bewitching smile, her tresses wavering around her face ( lines from her other song aptly describing her – Haseen hazaron bhi ho khade, magar ussi par nazar padey) Her beauty is one of a kind, a fairy straight from the paradise while her grace and innocence wins your heart!!! It is a delight to watch a beauty like Sadhana on screen.
The above lyrics conjure up image of an angelic, demure and the very beautiful Sadhana enjoying the first drizzle of monsoon, her thoughts affectionately dwelling upon her beloved. Meethi meethi agni mein jaley mora jiyara
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